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Rajiv Jain is an Indian Kenyan Director of Photography. Rajiv grew up in the city of Lucknow in Uttar Pradesh, India, where he attended Government Intermediate College. He graduated from the Bhartendu Natya Academy of Dramatic Arts, Lucknow, India in 1985. In January 2009 he became a founding member of the Indian Cinematographers Society ICS.

ACTION! -- The verbal cue indicating the camera is rolling.

AD -- The Assistant Director.

ADR -- Additional (or Automatic) Dialogue Replacement. Sometimes called

"looping".

ART DlRECTOR -- Person who conceives and designs the sets, usually on a

commercial.

AUDlTlON -- A tryout for a film or television role, usually in front of a

casting director, for which a reading is required.

AVAlL -- A courtesy situation extended by an agent to a producer indicating

that a performer is available to work a certain job. Avails have no legal or

contractual status.

SACKGROUND -- Extras.

BACK-UP -- A performer hired to work only if the designated principal

doesn't perform satisfactorily.

BEAUTY SHOT -- On television soap operas, the shot over which the credits

are rolled.

BEST BOY -- In films, the assistant to the Electrician.

BlLLlNG -- The order of the names in the opening credits of a film or TV

show.

B10 -- A resume in narrative form, usually for a printed program or press

release.

BLOCKlNG -- Tha actual physical movements by actors in any scene.

BOOKlNG -- A firm commitment to a performer to do a specific job.

BOOM -- An overhead microphone, usually on an extended pole.

BREAKAWAY -- A prop or set piece which looks solid but shatters easily.

BREAKDOWN -- A detaiied listing and description of roles available for

casting in a production.

BUYOUT -- An offer of full payment in advance in lieu of residuals, when the

contract permits.

CASTlNG DlRECTOR -- The producer's representative responsible for

choosing performers for consideration by the producer.

CATTLE CALL -- An audition where anyone can come to audition without an

appointment. Usually there are many people there. Also called an "open

call."

CHANGES -- Outfits worn while performing.

CLOSE-UP (CU)-- Camera term for tight shot of shoulders and face. Closeups

can be of anything.

COLA -- Cost of Living Adjustment.

COLD READlNG -- Unrehearsed reading of a scene, usually at auditions.

COMMlSSlON -- Percentage of a performer's earnings paid to agents or

managers for services rendered.

COMPOSlTE -- A series of contrasting photos.

CONFLlCT -- Status of being paid for services in a commercial for one

advertiser, thereby contractually preventing performing services in a

commercial for a competitor.

COPM -- Conference of Personal Managers.

COPY -- The script for a commercial or voice over.

CRANE SHOT -- A camera shot raised over or above the set or the action.

CRAWL -- Usually the end credits in a fiim or TV shot which "crawl" up the

screen.

CREDlTS -- Performance experience listed on a resume; also, opening names

in a film or a n/ show.

CROSS-FADE -- On camera, the transition achieved by retaining one image

as another is introduced. On radio, to change the source of sound by

steadily lowering one and raising another.

CU -- Close-up.

CUE -- Hand signal by the Stage Manager.

CUTAWAY -- A short scene between two shots of the same person, showing

something other than that person.

DAY PLAYER -- A performer hired on a daily basis, rather than on a longer

term contract.

DAYTlME DRAMA -- Soap opera.

DEAD AIR -- Silence in a broadcast.

DEALER COMMERClAL -- A national commercial produced and paid for by a national advertiser and then turned over to local dealers to book air time,

usually with the dealer's tag added on.

DEMO -- An audition tape.

CALLBACK -- Any follow-up interview or audition.

DlALECT -- A distinctly regional or cultural sound.

DlALOGUE -- The scripted words exchanged by performers.

DlRECTOR -- The coordinator of all artistic and technical aspects of any

production.

DOLLY -- Camera movements forward and backward.

DONUT -- A recording made to change information in the body of a

commercial, as opposed to a tag.

DOUBLE -- Any performer who actually performs in place of another

performer.

DOWNGRADE -- Reduction of a performer's on camera role from principal to

extra.

DP -- Director of Photography or Cinematographer.

DRESS THE SET -- Add such items to the set as curtains, furniture, props,

etc.

DRIVE-ON PASS -- In Kenya, a pass to drive onto and park on a studio

lot.

DROP-PICKUP -- A contractual situation where a performer is laid off and

rehired on the same production.

DUPE -- A duplicate copy of a film or tape; also, a "dub."

8x10 -- Commonly used size of glossy photos.

18-TO-GO-YOUNGER -- Legally 18 years old, but can be convincingly cast as

a younger age.

ELECTRlClAN -- Crew chief responsible for lighting.

EMANCIPATED MlNOR -- A child who has been given the status of a legal

adult by a judge.

EQUlTV WAlVER -- In Kenya, 99-seat (or less) theaters which are

otherwise professional, over which Equity has waived contract provisions

under certain conditions.

EXCLUSlVITY -- Achieved by virtue of performing as a principal in a

commercial. During the contractual period of payment, the advertiser has

exclusive rights to the performer's work, likeness and image with regard to

competitive products.

EXECUTlVE PRODUCER -- Person responsible for funding the production.

EXT -- Exterior or Exterior shot; a scene shot outside or outside another

area.

EXTRA -- Background talent, used only in non-principal roles.

FlCK -- Social Security taxes (Federal lnsurance Corporation of Kenya).

FlRST REFUSAL -- A courtesy situation extended to producers by agents on

behalf of performers, giving the producer the "right" to decline to employ

the performer before the performer accepts a conflicting assignment.

FlXED CYCLE -- For commercials, an established 1 week period for which the

advertiser pays a holding fee to retain the right to use the performer's

services, likeness and image in a previously produced advertisement.

FLlPPER -- Easily removed false teeth for children, used for cosmetic

purposes only.

FORCED CALL -- A call to work less than 12 hours after dismissal on the

previous day. See TURNAROUND.

FREELANClNG -- Working through more than one franchised agent rather

than signing exclusively with any one agent. Also, working for multiple

employers as a performer, distinguished from permanent employment at a

radiolTV station or network.

FX -- Effects, or Special Effects.

GAFFER -- In film, a crew member who places lighting equipment.

GLOSSY -- A shiny photo-finishing process.

GBFER -- An errand runner, who "goes for" this or that.

GRlP -- A crew member who moves set pieces or props.

GUARANTEED BlLLlNG -- Position of credit specifically negotiated by agent.

HAND MODEL -- A performer whose hands are used to double for others.

HEAD SHOT -- A still photo, usually 8"x10", showing head and shoulders.

HlATUS -- Time during which a televison series is out of production.

HOLDlNG FEE -- Set payment by an advertiser to retain the right to use a

performer's services, image or likeness on an exclusive basis.

HONEY WAGON -- A towed vehicle containing one or more dressing rooms.

Often the honewagon is also used when referring to the toilet.

lNDUSTRlAL -- Non-broadcast, often educational, films or tapes.

lNSERTS -- Shots, usually close-ups of hands or close business, inserted into

previously shot footage.

INT -- Interior, or interior shot.

"IN" TlME -- The actual call time or start time; also, return time from a

break.

LlFT -- Process of taking a sequence from one commercial to create all or

part of another commercial. Sometimes called a "mechanical lift."

LlQUlDATED DAMAGES - Monetary penalties imposed on an employer when contract provisions are violated (paid to the Union).

LONG SHOT (LS)-- A camera shot which captures the performer's full body.

LOOPlNG -- An in-studio technique matching voice to picture.

MEAL PENALTY -- A set fee paid by the producer for failure to provide meals

or meal breaks as specified by the contract.

MONOLOGUE -- A solo performance by an actor.

MOS (Mit Out Sound/Motion Only Shot) -- Any shot without dialogue or

sound.

MOW - Movie of the Week.

NATIONAL COMMERClAL -- A commercial produced for use throughout the

country.

NlGHT PREMlUM -- A 10% surcharge for work performed after 8 p.m.

NOMEX -- Brand name for fire-retardant undergarments.

OFF-CAMERA (OC or OS)-- Dialogue delivered without the actor being on

screen.

OPEN CALL -- An interview situation open to anyone.

OUT CLAUSE -- Section of a contract allowing the performer to terminate the

agreement under certain circumstances.

''OUT" TlME -- The actual time after which you have changed out of

wardrobe and are released.

OVERDUBBlNG -- In studio singing or voice work, the process of laying a new

soundtrack over an old one.

OVERTlME (OT)-- Work extending beyond the contractual work day.

PA -- Production assistant.

PAN -- A camera shot which sweeps from side-to-side.

P&G -- Performers who have a cleancut, all-American look as commonly

favored by Procter & Gamble for its commercials or soap operas.

PAYMASTER – An independent talent payment service acting as the

employer of record and signatory.

PER DlEM -- Set fee paid by producer on location shoots to compensate performer

for expenditures for meals not provided by the producer

PHOTO DOUBLE -- An actor cast to perform on camera in place of another.

"POPPING" or PLOSlVE -- the sudden release of blocked-in air causing a popping sound on the mike; usually with the letters "p,b,t,d,k,g. "

POV SHOT -- Point-of-View shot; camera angle from the perspective of one

actor (character in the story).

"PREPPY" TYPE -- An Eastern prep school-casual appearance.

PRlME TlME -- Network programming aired 8-11 p.m. (7-10 p.m. in

Central/Mountain time zones).

PRlNClPAL -- A performer with lines or special business which advances the

story line.

PRODUCER -- Often called the Line Producer; the person responsible for the

day-to-day decision-making on a production.

PROFlClENCY TEST -- An advance placement examination taken by high

school students to achieve high school graduation equivalence without

dropping out of school.

PROPS -- Easily moved objects used in the course of action of a program.

PSA -- Public Service Announcement.

RATlNGS -- Public surveys used to measure the number of TV viewers or

radio listeners.

REGlONAL COMMERClAL -- Produced for airing only in certain areas of the

U.S.

RELEASE -- In commercials, termination of use of a commercial.

RELEASE LETTER -- Written dismissal of a talent agent, as required by

Unions.

RERUN -- Rebroadcast of a TV program; in commercials, often called

"reuse."

RESlDUAL -- The fee paid to a performer for rebroadcast of a commercial,

film or television program.

RESUME -- List of credits, usually attached to an 8x10 or composite.

REWRlTE -- Changes in the script, often using color-coded pages.

RHUBARB -- live crowd noises (also known as "WALLA").

RUNAWAY PRODUCTlON -- Any production which leaves its usual location

far a different one, usually to save on costs or escape certain regulations.

RUNNlNG PART -- In TV series, a recurring role.

SCALE -- Minimum payment for services under Union contracts.

SCALE + 10 -- Minimum payment plus 10% to cover the agent's commission,

required in some jurisdictions for agents to receive commissions.

SCREEN TEST -- A filmed performance of a short scene to confirm how an

actor performs on camera; increasingly applied to taped tests..

SCRlPT -- The written form of a screenplay, teleplay, radio or stage play.

SCRlPT SUPERVlSOR -- The crew member assigned to record all changes or

actions as the production proceeds.

SEGUE -- In film or tape editing, a transition from one shot to another.

SESSlON FEE -- Payment for initial performance in and initial airing of a

commerciai.

SET -- An indoor location (often constructed in a studio).

SFX -- Sound effects.

SlDES -- Pages or scenes from a script, used for auditions.

SIGHT-AND-SOUND --Parent's right under Union contracts to be within sight

of the child performer at all times.

SlGNATORY -- An employer who has agreed to produce under the terms of a

Union contract.

SlLENT BIT -- A piece of work without lines featured by the camera.

SlNGLE CARD -- A credit in a film or TV show in which only one performer's

name appears.

SIT COM -- Situation comedy; an episodic television comedy, produced in a

studio.

SLATE -- A small chalkboard and clapper device, used to mark and identify

shots on film for editing; also, the process of verbal identification by a

performer in a taped audition (e.g., "Slate your name!").

SOAP -- Soap opera or daytime drama.

SOF -- Sound on film.

SOT -- Sound on tape.

SOUNDTRACK -- The audio portion of a film or TV production.

SPEClAL BUSlNESS -- Specially directed action by an extra player.

SPOT -- A commercial message, usually booked at random.

STAGE MANAGER -- The person who oversees the technical aspects of an instudio production.

STANDARD UNlON CONTRACT -- The standard format/contract approved

by the Unions and offered to performers prior to the job.

STANDARDS & PRACTlCES -- The network TV censorship departments.

STAND-INS -- Extra players used to substitute for featured players, usually

for purposes of setting lights.

"STICKS" -- Slate or clapboard.

STORYBOARD -- A pictured sequential rendering of the dialogue and action

in a commercial.

STUDlO -- A building which accommodates film or TV production.

STUDIO TEACH ER -- Set teacher or tutor, hired to provide education to

working young performers; also responsible for enforcing Child Labor Laws

and Minors' provisions in the Union contracts.

STUNT COORDlNATOR -- The person in charge of designing and supervising

the performance of stunts and hazardous activities.

STUNT DOUBLE -- A specially trained performer who actually performs

stunts in place of a principal player.

SUBMlSSlON -- An agent's suggestion to a casting director for a role in a certain production.

SWEETENlNG -- In singing/recording, the process of adding additional

voices to previously recorded work.

SYNDlCATION -- Selling television programs to individual stations rather

than to networks.

TAFT-HARTLEY -- A federal statute which allows 30 days after first

employment before being required to join a Union.

TAG -- An introduction or ending to a commercial or television show to

identify a dealer, address, phone number, etc. Often a bit in a television

show which is the last bit the audience sees.

TAKE -- The clapboard indication of a shot "taken" or printed.

TAKE 5 -- The announcement of periodic five minute breaks.

T&R -- Talent and Residuals, a talent payment company, or paymaster.

TELE PROMPTER -- The brand name of a device which enables a broadcaster

to read a script while looking into the lens. It is usually located near to the

lens.

TEST MARKET -- Airing of a commercial in one area to determine response.

TlGHT SHOT -- Framing of a shot with little or no space around the central

figure(s) or feature(s); usually a close up.

THEATRlCAL -- Television shows or feature film work, as opposed to

commercials.

3/4" TAPE -- lndustrial quality video tape; requires special tape deck.

TlME & 1/2 -- Overtime payment of 1 1/2 times the hourly rate.

TRADES -- Trade papers, periodicals carrying entertainment information.

TRAlLER -- A series of excerpts or clips, used to promote a film or television

show.

TRUCKlNG -- A camera move, involving shifts side to side.

TURNAROUND -- The number of hours between dismissal one day and call

time the next day.

TWO-SHOT -- A camera framing of two persons.

UNDERSTUDY -- A performer hired to do role only if the featured player is

unable to perform.

UPGRADE -- Acknowledgement by a producer that a player hired as an extra

has performed principal work, resulting in principal payment.

USE CYCLE -- Any 13 week period during which a commercial is actually

aired; used to determine payment schedule for residuals and often differing

from holding cycles.

VOlCE OVER (VO)-- Also OS; off-camera dialogue.

WAlVERS - Board-approved permission for deviation from the terms of a

contract.

WALK-BN -- A very brief role.

WARDROBE -- The clothing a performer wears on camera.

WARDROBE FlTTlNG -- A paid session held prior to production to prepare a

performer's costumes.

WlLD SPOT -- A commercial which is contracted to air on a station-bystation

basis, rather then by network.

WlLD TRACK -- Soundtrack having no direct relationship to the picture.

WORK PERMlT -- A legal document required to allow a child to work, issued

by various state or local agencies.

WRAP -- Finishing a production.

ZED CARD -- A composite, usually 5"x7", used for print work or modeling.

ZOOM -- A camera technique with a special lens to adjust the depth of a

shot accomplished without moving the camera.

Tags: Academy, Arts, Bhartendu, Bollywood, Cinematographer, Director of Photography, Dramatic, Dubai, India, Indian, Jain, Kenya, Kenyan, Natya, Rajeev, Rajiv

Author: Born in Los Angeles, David Henry Hwang is the son of immigrant Chinese American parents; his father worked as a banker, and his mother was a professor of piano. Educated at Stanford University, from which he earned his B.A. in English in 1979, he became interested in theatre after attending plays at the American Conservatory in San Francisco. His marginal interest in a law career quickly gave way to his involvement in the engaging world of live theatre. By his senior year, he had written and produced his first play, FOB (an acronym for "fresh off the boat"), which marked the beginning of a meteoric rise as a playwright. After a brief stint as a writing teacher at a Menlo Park high school, Hwang attended the Yale University School of Drama from 1980 to 1981. Although he didn't stay to complete a degree, he studied theatre history before leaving for New York City, where he thought the professional theatre would provide a richer education than the student workshops at Yale.

About the Author

Born in Los Angeles, David Henry Hwang is the son of immigrant Chinese American parents; his father worked as a banker, and his mother was a professor of piano. Educated at Stanford University, from which he earned his B.A. in English in 1979, he became interested in theatre after attending plays at the American Conservatory in San Francisco. His marginal interest in a law career quickly gave way to his involvement in the engaging world of live theatre. By his senior year, he had written and produced his first play, FOB (an acronym for "fresh off the boat"), which marked the beginning of a meteoric rise as a playwright. After a brief stint as a writing teacher at a Menlo Park high school, Hwang attended the Yale University School of Drama from 1980 to 1981. Although he didn't stay to complete a degree, he studied theatre history before leaving for New York City, where he thought the professional theatre would provide a richer education than the student workshops at Yale.

halloween costume???

i want to be a bumble bee but i dont no if anyone will laugh im 13 i go to a prep school yes and its a little short

don't worry, there are still lots of other cool costumes ideas fro you.

Alice in Wonderland

http://www.juzcostumes.com/costumes/alice.html

Little Red Riding Hood

http://www.juzcostumes.com/costumes/ridinghood.html

Little Bo Peep

http://www.juzcostumes.com/costumes/bopeep.html

Raggedy Ann

http://www.juzcostumes.com/costumes/raggedy.html

Gotham Girls

http://www.juzcostumes.com/costumes/gotham.html

Bad Witch

http://www.juzcostumes.com/costumes/witch.html

Fairy

http://www.juzcostumes.com/costumes/fairy.html

Devil

http://www.juzcostumes.com/costumes/devil.html

Bugs & Insects

http://www.juzcostumes.com/costumes/bugs.html

Lovely Costumes

http://www.juzcostumes.com/costumes/lovely.html

High School Musical

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Plaid Skirt Costume

admin — Tue, 06 Jul 2010 06:50:07 +0000

Plaid Skirt Costume

How to be Extra Naughty and Sexy This Halloween

Many ideas are out there for sexy Halloween costumes and it is time to think about what you and your man are going to wear this year. Here are some ideas to get you started.

Halloween costumes are always popular from year to year by the best television show, movie, or something going on in your life, so start there and write things down as you think about those subjects. Sexy Halloween costumes are hard to find when you want a costume that no one else has. There are many stores that have the same thing and every one ends up wearing the same thing. What you want is a costume that has everyone saying "where did you come up with that idea?"

To make sure you do not have the same costume one idea is to switch parts of different costumes around so you have part of one costume and part of another. You can buy one girl and one man outfit and trade some things around. Your friends will love the idea you came up with and admire your creativity.

Here is a perfect costume for a naughty couple. It is the vibrator battery. This would be an original costume. You would take some card board boxes shape them around your body and staple them together to fit. You just paint one all pink, wear white pants and put a pink hat on the top of your head.

For the man battery you do the same thing. You would have to paint a battery on the box, wear black pants, and wear a black hat on his head.

There are some movies available out there that could give you some great ideas as well. The office is one. You can be the boss in a suit or your partner can be the boss lady. Just add a little paper clip chain around your worker so every one will know who you are.

The naughty costume for men is the egotistical Scotsman! Order a highlander costume and make sure it has a plaid skirt and all the accessories. Go out and get a skin tone color stocking and fill it with foam, tie off the tip to give it the, well you know. Then wrap it around your waist, letting it hang just below your skirt. It will be the most outrageous costume ever.

Sexy Halloween costumes are easy to find as long as you think out of the box. Just go by movies and television shows are popular, or look for ideas in magazines. Then add to them to make them creative and sexy.

About the Author

CA McCraw writes for the AisleShops Network which has been servicing internet customers for 7 years now and priding itself on insuring Customers Satisfaction. Step out of the box this year with Naughty Halloween Costumes from OurSexyCostumes.com as the Sexy Halloween Costumes are In-Stock and Shipping Fast!

Any ideas for a punk cat halloween costume?

I'm 15 and I want to be something original, but sexy. And not TOO stutty.
I was thinking a punk cat..;

I could a wear a plaid skirt and a vest with a tie. Maybe some high socks and converse. Lots of black eye liner.. And of cource some kitty ears and tail..; maybe paint my face?

Have any other ideas to make it more original?

i think you should paint whiskers on your face. you could wear black lipstick, that would look cool. you could also rat your hair with a comb, i think that would look awesome. Idk where you could get kitty ears, but those would be good. Well, that's all the ideas i have. cute costume idea by the way!

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Mesh Skirt

admin — Fri, 02 Jul 2010 12:06:12 +0000

Mesh Skirt

Seven Prom Dress Pitfalls to Avoid

Your senior prom will be one of the major highlights of your high school career. That's why you'll want to make that special night absolutely perfect. One way to do that is to make sure your prom dress is just the right one for you — one that flatters your coloring, style, face, and figure so perfectly that it looks as if it were made especially for you.

As you shop, you'll want to avoid the following seven pitfalls of choosing a prom dress:

1.Choosing a style that doesn't flatter your figure

Select a style that accentuates the positive and minimizes the negative. Use a discerning eye, and be honest with yourself about necklines, waistlines, silhouettes, etc., choosing a style that flatters your body type. Certain styles, such as A-lines and empire-waist designs flatter nearly every figure.

One universally flattering style is the shimmering silver one-shoulder gown with shirred bust and empire waist. This floor-length beauty, with soft, flowing, glittery jersey skirt, conveys elegance and sophistication. Its lovely shirred bust and single strap with rhinestone accent create an aura of richness that will make the most of any figure.

2.Choosing a style that simply isn't you

Deciding which prom dress to buy can seem overwhelming. Some designs appear especially extravagant, creating the temptation to choose such a dress for the sensational impression it makes when it catches your eye. But, resist the temptation. Such styles only work when they mesh with your own natural style. If you don't feel totally at home in a dress you try on in the dressing room, you won't feel any more at home in it at the prom.

One design that may just flatter your personal style is the long mesh dress with empire waist, ruched bodice, and halter-style, Y-shaped neckline. Decorative mesh fabric gives this darling neckline the appearance of a necklace, complete with lovely square pendant-look accent in the center of the bodice.

3.Choosing colors that are incompatible with your natural coloring

Many factors affect the suitability of a dress for a given individual, and an important one is color. If a dress makes your skin look washed out or pasty, that's a sign that it isn't the color for you. When you've found a color that's complementary to your natural coloring, it will put a glow in your cheeks and provide the right level of color contrast to make you look naturally gorgeous.

Dresses, such as the long chiffon strapless dress with beaded bodice, and the strapless ball gown with sweetheart neckline and full tulle skirt, offer enchanting styles and color choices that you can match to your own skin tone and hair color.

4.Choosing the wrong dress length

Depending on your body type, you'll need to decide which dress length will look best on you. Be ruthless as you cast a critical eye on the overall impression of the dress you're modeling, and choose the one that's most flattering to your natural body characteristics.

One lovely gown for those who look best in longer styles is the black and ivory illusion halter gown, which features ruched waist and brooch accents on the fitted bodice along with a silky flowing black skirt.

5.Choosing a dress that doesn't fit properly

Proper fit is critical to the look and impression you'll want to convey on prom night, so be sure the dress you select fits well. If it doesn't, make sure you'll be able to have it altered and made to appear as if it were custom-tailored for you.

The knee-length illusion halter dress with Charmeuse trim and beaded brooch can make it easier to create a proper fit, since the sheer halter overlay ties in back and may be tightened or loosened as needed.

6.Ignoring your own intuition about which dress feels right

If the dress you choose doesn't make you feel as if you're totally in your element, it probably isn't the dress that will make your prom-night dreams come true. So, don't rush the process. Wait to buy until you're absolutely certain this is the one.

One dress that should make you feel just right is the strapless satin ball gown with side split A-line skirt and delicate organza inset, featuring a sweep of beaded accents and matching organza wrap.

7.Forgetting to accessorize

Completing the look with the right accessories can help personalize your stylistic statement, making you look uniquely beautiful. By carefully choosing items such as purse, shoes, jewelry, and hair accessories, you'll make your outfit truly your own. A style that lends itself well to added accessories is the basic black spaghetti strap short jersey dress, which you can dress up or down by using bright or subdued accessories, including a matching black or contrasting color sash.

One final thought about choosing your prom dress: Always remember that the dress doesn't make the girl; the girl makes the dress. So, relax, take your time, and choose the dress that makes you look and feel gorgeous. Then, let your personality shine through so you'll bring out the beauty of the dress as it brings out the beauty in you.

About the Author

Mike Gilroy is a freelance writer who writes about fashion and clothing such as prom dresses.

What type of shirt can i wear with this type of skirt?

http://www.kohls.com/kohlsStore/juniors/skirts/viewallskirts/PRD~629225/Joe+Benbasset+Tiered+Mesh+Skirt.jsp
Thanks but should the top be more loose or tighttt?
Can anyone give me a link to show me what they're talking about?

that skirt is adorable (:

i would definitely wear some kind of solid tank top under that, one like this

http://store.delias.com/item.do?itemID=52300

or you could wear a solid v-neck under

http://store.delias.com/item.do?itemID=52384

you could also add a cute little cardigan over it

http://www.target.com/Cardigans-Womens-Sweaters-Clothing/b?ie=UTF8&node=13848881

i think the shirt would be better off tight!

& if you really want to add something special, wear a belt around your waist

http://www.target.com/s/185-1196765-5096427?_encoding=UTF8&search-alias=tgt-index&keywords=belt&ref=sr_bx_1_1&searchNodeID=1038576|1287991011&searchPage=1

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Maid Outfit

admin — Mon, 28 Jun 2010 00:50:39 +0000

Maid Outfit

Pretty Gifts For Maids

The custom of having bridesmaids at a wedding is somehow charming and very appealing especially in these days of moon flights and space exploration. But it shows that no matter how advanced technology becomes, we still hark back to the past to keep old customs alive.

It was thought in those dark days of the past that evil deeds would be committed on what was supposed to be the happiest day of anyone's life. Bridesmaids would dress in identical outfits to the bride to confuse the evil doer and this part of the custom is still a little evident even up to today. The veil was supposed to keep the face covered right up until the ceremony so that no one would know if it was the bride or not. This was also there to confuse the evil doer. Indeed, Chinese customs still cover the bride's face c completely unlike our see through efforts. In days past, as the preacher was just about to marry the couple, the groom would lift the veil to check to see if it was his heart's desire lurking there and not some other woman who was trying to entrap him! It was up to him to confirm the identity of the bride before saying the magic ‘I do' words.

These days, bridesmaids all tend to wear the same clothes but different from the bride who traditionally wears white. This was supposed to show the virtue of the bride but in these times even pregnant brides wear white wedding dresses. Of course, for most, this is not really important but it the tradition was to be followed to the letter then the bride would be a virgin on her wedding night.

In Jewish customs, the bed sheet that the couple used on the first night was supposed to be inspected for blood by both sets of parents to prove that the bride was a virgin when she slept with the husband. It would seem incongruous to do that these days and surely most would object to that particular custom.

Indeed, most of the traditional customs have become somewhat stylized over the past hundred years or so. Bits of the ceremony hark back to the past and some of the customs also have become a little mixed up but still valued. For an example, couples in the days of slavery, were not allowed to marry in the Christian way. So the slaves devised a ceremony whereby the couple jumped over a broom to signify that they now belonged to each other. Many African Americans will still incorporate this small custom to remember those bad days when they were not free to marry in church. From that ritual, the old saying for any couple living together, without marriage, was considered to be living ‘over the broom'.

So where did the custom of giving bridesmaids gifts to say thank you for attending the bride on her big day come from? It may have come from the custom of giving all ‘maids' at the wedding a piece of wedding cake to take home and place beneath her pillow. It was thought that if she did that then she would dream of her future husband that night. The act of giving bridesmaids gifts was possibly born out of that custom. These days of course, many will just eat the cake at the wedding and that custom seems to be dying out.

Jewelry seems to be a very popular choice for bridesmaid's gifts. Gold or silver necklaces with perhaps a monogrammed pendant, is the perfect gift and could possibly be worn on the day to set off the bridesmaid dresses. Matching bracelets are also a good idea and many outlets will offer the set together to save the customer searching for a match.

Pearls are also making a come back and could be a great choice for the gift. Younger bridesmaids may not appreciate the beauty of these beautiful necklaces but the older ones will. If there are younger ones, any piece of jewelry is normally acceptable and can be put aside for when she is older.

The matron on honor normally gets something a little extra for all her help with the bride and getting her ready on the day. She is also probably the instigator of the usual bridal shower before the wedding so therefore deserves to be rewarded more. Even if it is the addition of a beautiful picture frame as well as the jewelry, the matron of honor would be delighted to receive something special from the bride and groom.

If the maids or matron are related then it is probably inevitable that they will all be at other weddings at one time or another. Perhaps a beautifully crafted charm bracelet would make a great gift so that for every wedding or function that they go to will be met by yet another addition for the bracelet. These hold so many memories that monetary value is nothing compared to the memories contained therein. They even make great future heirlooms to be passed down through the family.

Gold or silver key fobs are also good ideas but younger maids may think these gifts are not for them. Earrings are a good choice, in gold or silver, with precious or semi precious stones, but it may be a good idea to check out whether the maids have pierced ears or not before the big day.

For the really funky wedding gift, try out the belly button attachments. Of course, these will not be visible on the big day, hopefully, but some maids will be truly delighted with this small but important addition to their jewelry boxes.

Whatever is given, make sure that a small card is given with a personal message from both the bride and groom. This somehow lifts the prestige of the bridesmaids' gifts and makes the receiver feel that the gift was chosen specifically for them – even if it was one of ten identical pieces!

About the Author

In what chapter of eyeshield 21 does Sakuraba lose the quiz game and is forced to wear a maid outfit?

I just can't seem to remember since it's been a while xP

idk.....
but i think its part of the festival with the team with the symbol of knight and a horse.

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Plaid Costume

admin — Fri, 18 Jun 2010 23:57:42 +0000

Plaid Costume

What is the ideal Naughty School Girl Costume?

A naughty School Girl Costume has the potential to really change a girl's image totally and make her look like she is out to play a prank and that she is a spoilt girl. The Naughty School Girl Costumes are typical school outfits for private boarding schools. These are based on a Tartan mini dress, or a Tartan mini skirt with a white blouse with white stockings that are knee high and black heeled shoes. These are worn on Halloween nights, school reunions, and fancy dress competitions, to mention a few.

You must buy the following stuff for a naughty school girl costume: a plaid mini skirt with solid colors; pleats are good to have as they add to the appeal; a white shirt with button down with a few buttons unbuttoned; you can roll up or down the sleeves as much as you like depending on your wish to show skin. Wear white colored knee long socks and grab some text books as props.

Let us now take a look at how you should go about choosing the Sexy School Girl costume:

First, keep in mind that a school girl costume like this must be as naughty as is possible in terms of looks. So look for two essential traits: the skirt must be real short to show as much skin as is possible and the predominant color (and if possible, the only color) must be red. Red could come as plain color or in the form of checks.

Second, ensure that the shirts are tied to the front. The best way to project a sexy costume is to display the belly button. To do this, buy a shirt which you can tie into a simple knot.

Third, when you buy school girl costume, ensure that the color of the shirt is crystal white. Also the shirt must have short sleeves. The combination of crystal white shirt and the red skirt can create a rage among the guys which no other color combination really creates.

Fourth, another essential component for having a Hot School Girl costume is the white stockings that are knee high. The knee high white stockings along with the other two components create a telling effect.

Fifth, to enhance the effect of the naughty school girl costume, wear the hair in pig tails with red ribbon bows; wear black or red high heeled shoes; and have freckles on your face.

A few words that will be worth noting though: each occasion or competition will have certain rules and regulations of propriety and these must not be violated in an effort to look sexy. Also, the costumes must be chosen according to the body type of the girl.

About the Author

Dreamy.com.au has a great range of Lingerie articles and lingerie to help you buy the right naughty school girl costume for your party or event.

Anyone know where to find a Bill The Butcher Costume?

Looking to find a costume that matches Bill's from Gangs of New York. I'd like to have the one with the tan and black plaid pants and the red overcoat. I've been looking everywhere and can't find it. Or does anyone know of a website that could tailor the costume for me? Thanks everyone!

http://search.yahoo.com/search;_ylt=A0geu41HC3BJA3YBa4VXNyoA?p=Bill+The+Butcher+Costume&y=Search&fr=yfp-t-501

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Red Lace Bustier

admin — Wed, 09 Jun 2010 09:11:38 +0000

Red Lace Bustier

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Panties Micro

admin — Mon, 07 Jun 2010 06:41:22 +0000

Panties Micro

Wife lovs short skirts.Am woried she will/has flashed thong while siting/bendg. Hw 2 ensure no one sees..?

Girls, how do you'all manage a mini skirt especially while sitting? Is sitting cross legged the only solution? even then most of the thigh is on display... While travelling in bangkok we were in a tuk tuk and she was wearing a short skirt. I could see her panties in the rear view mirror and i guess so could the driver. when i mentioned this to her she was upset and told me that she can look after herself. This happened again in a shoping mall...i could see some guys lining up in front of her...so i went to get somthing...and i see her panties clearly..she was talking on the phone and hence did not realise...I am absolutely fine with her wearing micro minis or cleavage revealing dresses..but want to ensure her stuff is not on view.

Is it possible she makes an effort to show off her thong on purpose to gain male attention?

Panty lines in Equestrian?

I am a fifteen year old rider who has ridden for about nine years now. I just have a question. I am best at jumping events and I wanted to know how I could prevent panty lines. I wear those black high cut micros from Moving Comfort and I have tried thongs but I don't like them; boyshorts either. Lately, I've been wearing black pantyhose under my breeches, but this gets hard because a) they make it hard to pull up my breeches (I wear pull on Cadence Stretch breeches to give you an idea) and b) it makes it really hot. A friend of mine suggested wearing full seat breeches, because she says you can never get panty lines in full seaters. What should I do? And has anybody else worn or heard of these particular panties?

your other option is to get the panties that go down to right above the knee...or my daughter used to wear pantyhose and cut them off above the knee...cooler and no lines.......last option is always a thong...

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Prep School Girl Costume

admin — Thu, 27 May 2010 22:44:48 +0000

Prep School Girl Costume

The Role Of A Sexy Costume

Most of us have heard about women dressing up in a school girl costume or a French Maid Costume.

When you’re wearing either of these costumes, you can prep it up to a proper side or a little on the wild side and you don’t have to be a whiz at the sewing machine.

If you’ve decided you to put on a school girl costume, you can try out at your local goodwill center or a store with second hand uniforms. If you’re lucky enough to find one, then you only need to give them the finishing touch and your costume would be almost ready.

On the other hand, a French maid costume is a little difficult to make, if you’ve decided to make it on your own.

Ideally, a French maid costume has become an erotic icon for more than a decade now. It’s a blend of black cloth with accessories that makes it an instant hit.

These sexy costumes would not only make you feel a bit younger but also it would bring the much needed change that you need to move out of your monotonous life.

A school girl costume or a French maid costumes has its own charm and they draw attention. But you should also keep a few ground rules in place before you wear them. That is, you do not wear them where they are not required at all. You also should have them tailor made according to your own preference, so that you do not feel uncomfortable in your own skin.

I’m sure you’d want to see how these sexy costumes bring about a change in your life.

About the Author

SexyWearAvenue.com is one of the world’s famous center for getting high quality
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school girl halloween costume?

well i love the idea of a school girl costume but i'm not sure exactly what to wear... tell me what you think from head to toes..i like the prep school type but i do want to covered (chest i don't care to much about my legs) and i'm 14 so i don't want to look slutty... blazers, shirts, plaid skirts what do you think?

thanks!

u could wear a short plaided skirt, a white/mathcing coloured shirt on the top with short/ or 3/4 sleeves, on the top you could wear a tight V necked sweater and a tigh matching the colour of the skirt. and with your hair do wat u think suits you mostly, and if you want add a ribbon.
and for shoes wear trainers/converse or watever matches best...
you could also have a schoolbag with you

Prep School Girl Costume

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Le Mystere Bra

admin — Sat, 22 May 2010 06:43:40 +0000

Le Mystere Bra

In Game Scene

Voici une scene en pré-rendu du jeux nintendo ds: Nancy Drew: The clue Benders produit par Majesco au studio Gorilla. Le format final se devait d'etre 256 par 192 pixel. Modélisation et disposition de la majorité des objets faite par moi-meme ainsi que l'éclairage et le rendu. Le rendu original en était un de 600 par 800 pixel. Les texture on été fait par un textureur. Il s'agit d'un rendu en scanline fait en 3ds max 9. Le but de l'exercice était de recréer un storage room pas très en ordre. Le directeur artistique avait donner comme élément de piste de se référer au film ''The silence of the lambs''. Cela nous avait bien fait rigoler puisque le jeux en question est un jeux targettant des jeunes filles de 9 à 11 ans environ. Mais cela rajouta au défis puisque la pièce se devait etre en désordre et poussièreuse mais nous ne pouvions pas aller trop dans le gore comme il y aurait été fait pour un jeu du style ''resident evil''. Par exemple les animaux tous modeler low res voir pas plus de 200 a 300 polygone devait donner l'impression d'être enpailler. Mon réflexe avait été de leur couper des pattes mais cela ne passa pas au conseil... bien que la statut de Zeus en premier plan eu droit a son bras coupé ce qui me troubla un peu puisque je m'était attarder à modeliser la main et les doigts!

Cette pièce fut la plus différente des quarantes scènes modéliser pour le jeux. En fait l'héroine doit résoudre un mystere a l'intérieur d'un manoir comptant plusieur étages et passage secret. Ce fut le premier jeux auquel je participais en tant que artiste 3d pour un studio. L'experience fut très formative, j'ai pu participer a pratiquement toute les étapes de confection sauf a celle du modellage des personnages.

le render est situé a ce lien:

http://1.bp.blogspot.com/_AYZMxksztHQ/SSmdjwDi_QI/AAAAAAAAAPg/y_w2uicx6gk/s1600-h/storage_room_20.jpg

vous pouvez suivre mon blog ou je présente tout mes derniers projets: sammiiboyy.blogspot.com

About the Author

3d artist who came out the bart college in quebec city in 2d3d animation class. Work at Gorilla North studio base also in Quebec City. Now freelancer specialized in modelling lighting rendering of 3d model character and environment.

anyone try the Le Mystere Bra that Oprah loves???

I haven't tried that one, but I disagree that what Oprah endorses is not necessarily good. I am a large-busted woman and tried the Enell Sports Bra that Oprah endorsed, and have never been happier. She actually tries out her products, and won't endorse something she doesn't like. I had a great experience with the Enell bra she recommended, so I don't see why the Le Mystere bra would be a disappointment.

le mystere 320 sports bra review

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	Le Mystere Women's Dream Tisha Bra,Ivory,42H List Price: $69.00 Sale Price: $44.80 Average Rating:
	Ideal for fuller figures. Contour cups with hidden underwire. Disappears under clothes. New higher wings for added support. U-back keeps straps from slipping. Wide, adjustable straps. Hook-and-eye back closure: 3 columns, 3 rows...

	Les regles du genre des noms au masculin et au feminin: Pourquoi le bras est au masculin tandis que la jambe est au feminin, et autres mysteres de la langue francaise (French Edition) List Price: $12.95 Sale Price: $7.95
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